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Alexa Wejko
Soho Press
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Currently Looking For
Hi everyone! I’m an editor (note: not an agent!) at Soho Press, interested mainly in crime but dabbling in horror and literary fiction, though with an eye to acquiring a range of voices, moods, and narrative structures within all spaces. I am actively looking to acquire books by writers of color; I am actively looking to acquire voices and perspectives that are routinely marginalized. I love stories and manuscripts that exist in in-between spaces, whether that be genre or readership (books with YA crossover, for example, or books that cannot be easily shelved). I’m looking for intimate voices and bold voices. I love small stakes that are made to feel big. Give me your weird books. Crime Fiction I look for atmospheric, place-based crime fiction in the tradition of Soho Crime. I am always interested in series-starters that push boundaries in terms of approach, voice, or perspective (The Perveen Mistry series, Shutter/Exposure by Ramona Emerson). I look for series with a vision, a “book one” that leaves the reader wanting and able to imagine dozens of future installments. I am interested in procedurals that are exhaustive and immersive (the Erin McCabe series) told from non-police or left-of-center perspectives. In terms of place, I am currently especially interested in manuscripts (including translations) that fall under the umbrella of Ukrainian, South Asian, Latin American, and/or Indigenous crime fiction. In no particular order, I am also interested in: atmospheric standalone novels that leave the reader feeling emotionally walloped; charismatic criminal narrators, ideally those that are anti-establishment, female, queer, trans, or otherwise challenge the idea of the typical white male anti-hero; meta bookish/literary mysteries. I’ll always dip into a new take on an old classic, whether series or standalone. I am open to the right speculative twist, if it sufficiently grapples with the realities of our world. Right now, I am not interested in straight forward cozies, but I would love to consider cozy-adjacent titles as long as there’s a hidden edge—daring books with voice for days, told with wit, warmth, and humor (Dial A for Aunties). Representative Titles: Horror Fiction In horror, I am looking for: short, intense, and immersive novella-length horror (Come Closer); horror in translation (Latin American) (Thirst); literary or left-of-center takes on vampires, zombies, or undead beings; horrific takes on fairy tales; disturbing and twisty psychological horror (Looking Glass Sound by Catriona Ward); epistolary and formally daring horror; anything exquisitely odd or offbeat. What’s it like to work with me? I’m a creature of feedback. Before starting at Soho Press, I completed my MFA, taught creative writing, and then worked in literary packaging; I bring that experience to editing by focusing on (lovingly) challenging writers, sharpening story, and honing craft. I love—love—brainstorming phone calls, intensely exploring revision strategies, writin
Submission Guidelines
Submissions should be emailed to awejko@sohopress.com I accept agented work and read unagented submissions selectively. Email me at aw****@*******ss.com. Unfortunately, due to the volume of submissions we receive, I cannot guarantee a reply. Vital Info awejko@sohopress.com Linkedin Website
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